Shall we gather by the red tree?
Olympus Pen FT 38/2.8, f2.8 @ 1/250s
President’s Choice Colour 400 expired
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Taking A fresh Look At That Expired Redscale Film
Recently, I took a trip to Aveiro to try out the KW Patent Etui 9×12 folding camera with the Rollex 118 film back for Folder Week, a celebration of folding cameras. I also brought along an Agfa Silette Rapid F camera from the 1960s, loaded with expired (c.2002) Konica VX-100 colour film. I wanted to use the Silette for the week’s Lens-Artists Challenge, which this time was ‘Go-To Places’.
To stir things up a bit, the expired film film was redscaled, meaning that it was loaded reversed into the Rapid canister so the image is taken through the backing layer of the film. Since film, especially colour film, loses light sensitivity over time, it needs to be exposed differently to normal film. The ‘rule of thumb’ for shooting expired film is to give it one extra stop of exposure for each decade after the expiry date. But the rule for redscaling film is to give the exposure one more stop of exposure depending on the ISO of the film. So I exposed the 100 ISO film at ISO 6.
Redscaled film generally gives the subject a high contrast orangey/red hue, but in this case, when the images came back from the lab, the colours were really mixed up. I’m not sure whether this was because the laboratory misunderstood that the film was redscaled, and tried to produce colours that are normal for colour film, or whether this was because of the colour shifting of the film. Either way, for a 20+ year-old film I was really happy with the results and submitted the images to the Challenge.
Still, I wondered why the images were so different to ‘normal’ redscale film, and even different to some expired redscale film that I’ve come across. I went back to the original scans from the lab and opened the file in SnapSeed. A little fiddling with curves and whatnot made little difference, but then I went to the white balance option and set the white balance in a white part of the image. Instantly the whole image went ‘bluescale’. Like redscale but shades of blue. So then I set the white balance dropper on a black portion of the image and, voila! Redscale.
I tried this with the other images in the series, and it worked with them, too. Lovely redscaled images from 20-year-old film. I’ve posted the whole roll in an album on my Flickr, if you want to see the rest of the images, and also the original images. I’m not certain if this could be considered true redscale, or if it is cheating, but I really like how these came out and it’s encouraging me to try some more expired film, especially redscaling colour film
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Watching the birds.
Olympus Pen FT 100/3.5, f5.6 @ 1/250s
President’s Choice Colour 400 expired
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Winter view.
Olympus Pen FT 38/2.8, f5.6 @ 1/60s
President’s Choice Colour 400 expired
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