@LLMs I use Chatgpt for blogging, so yep - searching and structuring chats is a big want for me.
It kept forgetting my 'voice' and themes I want to weave in my posts, so I've asked it to search it's memory and our interactions and give me text to put infront of each chat to remind it. I've tweaked it and saved it as a Google Keep note to copy and paste in. Hoping that works
#BloggingTools #WritingWorkflow #DigitalWriting #AIWritingAssistant #CreativeProcess #FediverseWriters
After participating to a panel on media art publications, I’m giving an invited talk on May 9 (tomorrow) at 13:45 at Teatro Los Fundadores in Manizales (Colombia), as part of the Festival Internacional de la Imagen about “Neural, 30+ years of interdependent networking”, thanks to Winchester School of Art Department of Art and Media Technology, Andres Burbano, and Felipe Cesar Londoño for the support.
#newmediaart #digitalpublishing #publishing #publishinghistory #indiepublishing #independentpublishing #mediaart #newmediaart #netart #internetart #artsciencetechnology #creativecodeart #creativetechnology #digitalarchives #mediahistory #mediaarchaeology #experimentalpublishing #zines #digitalwriting #mediatheory #mediastudies #mediamanipulation #hacktivism #postdigital #postdigitalprint #digitalart #ImagenFest #FestivalInternacionalDeLaImagen #FestivaldelaImagen #neuralmag #neuralmagazine
Why AI can’t take over creative writing
#Tech #AI #CreativeWriting #AIvsHuman #WritingCommunity #LLM #ChatGPT #HumanCreativity #WritersLife #AIEthics #Storytelling #GenerativeAI #WritingTools #DigitalWriting #PromptEngineering #OriginalityMatters
https://the-14.com/why-ai-cant-take-over-creative-writing/
Remember: Your expertise doesn't belong in the bargain basement. The goal isn't to convince—it's to demonstrate why your charge is worth it.
[Publication] Critical Digital Humanities: text, code and algorithms
The timing of the academia, it is known, can be really long and sometimes things just get stuck. I forgot about this article for a long time, then in the last days I remembered it. It is the updated version of a paper I presented at a conference in april 2021 (actually, it was my first conference as a doctoral candidate) and I thought it was useless in a folder on my laptop so I published it on Zenodo. Now it’s out there – to be read and criticised, to be part of the debate about tools and methods for Digital Humanities or, at least, just to show the starting point of my research. Here is the abstract:
Writing is a technology and technology is never neutral. Furthermore, in the digital environment everything is writing: behind every piece of content “is a written system of protocols and controls” (Seymour, 2019). Digital technologies, including the software used in Digital Humanities, help researcher all around the world with new tools and new approaches, but what do we know about these software? About how they are built and structured? About the codes and algorithms they contain? Some researchers have argued that we can bring the critical approach we use in Humanities to the Digital (Berry, 2014), also with the trans-disciplinary help of Modern Languages studies (Pitman – Taylor, 2017): Critical Digital Humanities. But there are other ways to participate “critically” in DH. First, we can consider electronic literature as DH on the basis that “a computer is not a tool or prosthesis that helps us to accomplish our work; rather, it is the medium in which we work” (Grigar, 2021). Second, since we are in a digital environment, we can use the concept of “hacking” as a method (Klein, 2011; Saum-Pascual, 2020;), not limiting it to the software world. If this approach is workable, it can help to overcome the postmodernist “naive trust in the screen which makes the very quest for ‘what lies behind’ irrelevant” (Žižek, 2008). Codes and algorithms are languages – “the ur-writing of contemporary civilization” (Seymour, 2019) – and, as languages, shape our experience of reality: understanding them, especially in the research field, is a necessary step to build an approach that is, at the same time, theoretical, practical and critical.
Ponder Review is open for #submissions! With seven more weeks in our reading period, now is a great time to send us your #fiction #poetry #CNF #playscripts #art & #DigitalWriting
Very honoured to have Tactical Publishing reviewed on London School of Economics Review of Books by Rebekka Kiesewetter.
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For the first time all the Neural covers are exhibited in Fabrica (Treviso) during xcoax conference as an installation! I’ll give a presentation about Neural first 30 years on Friday 12 at 16:30. Many thanks to the whole xcoax team for the incredible support!
#newmediaart #digitalpublishing #publishing #publishinghistory #indiepublishing #independentpublishing #mediaart #newmediaart #netart #internetart #artsciencetechnology #creativecodeart #creativetechnology #digitalarchives #mediahistory #mediaarchaeology #retrofuture #artistbook #experimentalpublishing #electronicliterature #zines #digitalwriting #mediatheory #mediastudies #digitalhumanities #posttruth #mediamanipulation #hacktivism #postdigital #postdigitalprint #digitalart #newmediaart
I am very proud to be part of the 2024 edition of MIAN / Elektra Montréal, which is celebrating its 25th anniversary. I will be presenting my latest book Tactical Publishing on 20 June at 8pm at Arsenal art contemporain and at the round table "Digital Art Market: New Challenges and Opportunities" with other remarkable guests (Daehyung Lee, Dominique Moulon, Kate Vass and Dominique Toutant) on 21 June from 3pm to 4:30pm. Montréal friends hope to see you there!
https://www.elektramontreal.ca/festival-2024
#tacticalpublishing #digitalpublishing #publishing #publishinghistory #indiepublishing #independentpublishing #mediaart #newmediaart #netart #internetart #artsciencetechnology #creativecodeart #creativetechnology #digitalarchives #mediahistory #mediaarchaeology #retrofuture #artistbook #experimentalpublishing #electronicliterature #zines #digitalwriting #mediatheory #mediastudies #digitalhumanities #posttruth #mediamanipulation #hacktivism #postdigital #postdigitalprint #digitalart #newmediaart
NEW BOOK: Tactical Publishing! I’m very excited to announce my new book “Tactical Publishing, Using Senses, Software, and Archives in the Twenty-First Century”, now published by MIT Press. It has taken many years to research and finalise the book, which I hope will be a solid sequel to "Post-Digital Print", and now it is finally in print. A huge thank you to all the generous people who have supported me over the years (the list is long), especially Ryan Bishop, Jussi Parikka, who along with Scott Rettberg and David Garcia has written very generous praise, my fabulous colleagues Jo Turney and Daniel Cid Moragas at Winchester School of Art - University of Southampton, Sean Cubitt and Doug Sery at MIT Press and Nick Montfort who wrote the beautiful foreword!
Available here in print https://www.amazon.com/Tactical-Publishing-Software-Archives-Twenty-First/dp/0262542056/
and in Open Access here: https://direct.mit.edu/books/oa-monograph/5716/Tactical-PublishingUsing-Senses-Software-and
#tacticalpublishing #digitalpublishing #publishing #publishinghistory #indiepublishing #independentpublishing #mediaart #newmediaart #netart #internetart #artsciencetechnology #creativecodeart #creativetechnology #digitalarchives #mediahistory #mediaarchaeology #retrofuture #artistbook #experimentalpublishing #electronicliterature #zines #digitalwriting #mediatheory #mediastudies #digitalhumanities #posttruth #mediamanipulation #hacktivism #postdigital #postdigitalprint
Which AI language model is best for bloggers: ChatGPT or Google Bard? Find out in our comprehensive comparison.
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