The recent “Doomsday” Oarfish sightings in California, Mexico, and Vietnam are raising concern http://dlvr.it/TRNTpZ #earthchanges #harbinger #oarfish
The recent “Doomsday” Oarfish sightings in California, Mexico, and Vietnam are raising concern http://dlvr.it/TRNTpZ #earthchanges #harbinger #oarfish
Harbinger's Ominous Threat!
https://themonitortapes.com/13
#themonitortapes #coie #crisisoninfiniteearths #harbinger #themonitor
For progressive death metal acts, the shadow of the masters, Opeth, looms large. Yet some recent progressive death acts, like Iotunn, Tómarúm, and Dvne, have carved their own paths in the genre. When Dyed in Grey released their debut, The Abandoned Part, in 2013, Opeth was charting a course into pure prog sans death metal. I only mention Opeth because Dyed in Grey’s brand of prog death sees clear influences in the titans of the genre, though with a more technical, improvisational imprint. Harbinger marks only their third full-length album in thirteen years. These years have seen inconsistency in the lineup, with 2018’s Anguish and Ardor losing the vocalist and going full instrumental. Now with a new vocalist, Harbinger sees a return to Dyed in Grey’s roots with a more honed vision from founder Adam Edgemont.
Unlike Soen’s cleaner approach to prog, Dyed in Grey is much rawer and rougher around the edges, utilizing plenty of off-key notes. There’s a greater sense of urgency and authenticity in this approach, and songs are carefully crafted to sound improvisational rather than intentional and overly polished. At times, Dyed in Grey plays it light and breezy, such as on the intro track “Sunbird” and the first few minutes of “Ascent,” where you could almost mistake them for a happy-go-lucky Weezer. At other times, they play a rough and tumble of ’90s grunge, with “Silent Symmetry” taking on an Alice in Chains-esque gruffness. Yet behind each arpeggio and light strum lurks an Opethian turn, which can rear its head suddenly with an eruption of heavy guitars and monstrous death growls. These turns prove an effectively cathartic release of emotion; “Mirrored Ruins” in particular takes a brilliant turn with some of the coolest riffs on Harbinger. While Opeth is a clear influence, Dyed in Grey take a novel enough approach to avoid being a mere clone.
Dyed in Grey cite jazz as one of their musical styles, and this is most apparent in the improvisational turns that songs take. Unlike Opeth’s more developed passages of death metal or prog, Dyed in Grey can flip on a dime. “Static Tides” best demonstrates this as it transitions from growls to cleans, arpeggios to blasting riffs, all within short spans of time. Similarly, “Descent” plays off-tune riffs one moment and a sudden melodic lead the next before erupting into death metal with some impressive technical fretwork. I don’t mean to make this sound like a random jumble of song parts. Harbinger still has enough structure for it to contain well-defined tracks. Riffs from the beginning of a tune return at the end (“Ascent,” “Silent Symmetry”) and catchier passages, such as the chorus of “Tempest,” repeat throughout the course of each song. The unpredictable nature of the music keeps you on your toes and provides new surprises with each spin.
As much as there is to enjoy, there’s plenty on Harbinger that makes it a confounding listen. The angular, sometimes atonal, music is certainly off-putting and proves an obstacle to appreciating Dyed in Grey’s strengths. The vocal performances, particularly the cleans, also leave something to be desired.1 The cleans have a gruffer, grungier resonance that fits what Dyed in Grey is going for, but the vocalist struggles with his pitch at times. Despite the strong production values, another issue is that the death metal riffs sound flat and lack the muscular punch needed to truly make these portions pop. The growls, however, deliver enough power to offset this shortcoming. The rougher elements of the band’s sound fit in with their rugged character, yet there’s a fine line in the atonal approach between enjoyable and cringe-worthy music, and fortunately, Dyed in Grey fall on the enjoyable side more often than not.
What started off for me on initial spins as disappointing has since turned into something more interesting, rewarding, and even catchy with repeat and closer listens. Dyed in Grey don’t quite stand with the bands listed in my opening paragraph, but for fans of prog death, Harbinger is a worthy exploration. It also represents a growth in Edgemont’s songwriting. This proves to be a pretty cool amalgamation of styles that doesn’t play it safe yet feels assured in its performances and compositions.
Rating: 3.0/5.0
DR: 9 | Format Reviewed: WAV
Label: Self-Released
Website: Bandcamp | Facebook
Releases Worldwide: January 23rd, 2026
Harbinger launches standalone battery business with new Airstream deal
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HARBINGER Return With New Single “A Thousand Faces”; Official Music Video Streaming
#HARBINGER #ReturnWithNewSingle #ThousandFaces #groovemetal #single #EP #video #musicvideo #streaming #BraveWords #metal #music
New post: Harbinger unleash “A Thousand Faces” via Prime Collective https://www.moshville.co.uk/news/video/2025/11/harbinger-unleash-a-thousand-faces-via-prime-collective/ #Harbinger
Harbinger raises $160M, will build trucks for FedEx
Tengu
Tengu literally means “Heavenly Dog.” These are a type of legendary creature found in the Shinto belief. They’re considered a type of yokai (supernatural beings) or Shinto kami (gods or spirits). The tengu were originally thought to take the forms of birds of prey & a monkey deity. They were traditionally shown with human, monkey, & avian/bird characteristics.
Sarutahiko Okami is considered to be the original model for Konoha-Tengu. This is a supernatural creature with a red face & long nose. Today, this is widely considered the tengu’s defining characteristics in popular imagination.
He’s the Shinto monkey deity who’s said to shed light on Heaven & Earth. Some experts theorize that Sarutahiko was a sun god worshipped in the Ise region prior to the popularization of Amaterasu.
Buddhism had long held that the Tengu were unruly demons & harbingers of war. Their image gradually softened into 1 of protective, if still dangerous spirits of the mountains & forests. Tengu is associated with the ascetic practice of Shugendo. They’re usually shown in the clothes of its followers, the yamabushi.
The tengu appears in a variety of shapes in art. It usually falls somewhere in between a large, monstrous bird & a wholly anthropomorphized being. It’s often with a red face or an unusually large or long nose.
The early representations of tengu show them as kite-like beings who can take a human-like form. Often they keep avian/bird wings, heads, or beaks. This feature allies with the Sarutahiko Okami. Sarutahiko Okami is described in the 720 CE text, the Nihon Shoki, with a similar nose measuring 7 hand-spans in length. In village festivals, the 2 figures are often nose-portrayed with identical red phallic-nosed mask designs.
Tengu are often shown as taking the facade of a priest. Beginning in the 13th century, tengu came to be associated in particular yamabushi. These were the mountain ascetics who practiced/practices Shugendo.
This eventually found its way into Japanese art, where tengu are frequently shown in the yamabushi’s unique costume. The costume included uncommon headwear called the tokin & a pompom sash (yuigesa). Because of their priestly aesthetic, they’re often shown employing the khakkhara. This is a distinct staff used by Buddhist monks, called a shakujo in Japanese. Tengu are commonly shown holding a magical feather fan (hauchiwa).
In folk tales, these fans sometimes can grow or shrink a person’s nose. But usually they’ve attributed the power to stir up great winds.
The Konjaku Monogatarishu is a collection of stories, that was published in the late Heian period. It has in it some of the earliest tales of the tengu. These tengu are troublesome opponents of Buddhism, who mislead the pious with false images of the Buddha, carrying off monks, & drop them in remote places, possess women in an attempt to tempt holy men, rob temples, & gift those who worship them with unholy power. They often disguise themselves as priests as priests or nuns. But their true form seems to be that of a kite.
One infamous tengu from the 12th century was himself the ghost of an emperor. The Hogen Monogatari tells the story of Emperor Sutoku. He was forced by his father to abandon the throne. When he later raised the Hogan Rebellion to take back the country from Emperor Go-Shirakawa, he was defeated & exiled to Sanuki Province in Shikoku.
According to legend, he died in torment, having shown to haunt the nation of Japan as a great demon. Thus becoming a fearsome tengu with long nails & eyes, like a kite’s.
In stories from the 13th century, tengu began to abduct young boys, as well as priests that they’ve always targeted. The boys returned, while the priests would be found tied to the top of the trees or other high places. All of the tengu’s victims would come back in a state near death or madness. Sometimes after having been tricked into eating animal dung/poop.
The tengu of this period were frequently conceived of as the ghosts of the arrogant. As the creatures have become associated with vanity & pride. Today, the Japanese expression tengu ni naru (“becoming a tengu”) is still used to describe a conceited person.
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#12thCentury #13thCentury #Amaterasu #BirdsOfPrey #Buddha #Buddhism #BuddhistMonks #Emperor #EmperorGoShirakawa #EmperorSutoku #harbinger #Hauchiwa #HeavenlyDog #HeianPeriod #HoganRebellion #IseRegion #Kami #Khakkhara #Kite #KonjakuMonogatarishu #KonohaTengu #MonkeyGod #Monks #NihonShoki #Priest #SanukiProvince #SarutahikoOkami #Shakujo #Shikoku #Shinto #Shugendo #Tengu #TenguNiNaru #Tokin #Yamabushi #Yokai #Yuigesa
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BYZANTINE Presents “Harbinger” Claymation Video
https://bravewords.com/news/byzantine-presents-harbinger-claymation-video/
#BYZANTINE #Presents #Harbinger #newrelease #video #vocalist #BraveWords #metal #music
Electrocutioner – Harbinger Review
By Dr. A.N. Grier
Two years ago, I grabbed Electrocutioner’s False Idols solely because their one-pager told me not to. And I enjoyed every minute of its straightforward approach to old-school thrash. Even scoring it higher than one would ever dare for something that’s been done countless times over. But there was just something about its riff-machine qualities that hooked me so deeply. Fast forward, and I’ve got my grubby sausage fingers on their sophomore outing, Harbinger. And, once again, you’ll find no gimmicks here. Just beer-swilling thrash in the realm of Slayer, Testament, and Whiplash. The only difference is that this threesome (with gang vocal support from some friends) is signed to a label. Sure, it’s a smaller Canadian label, but these Strong Islanders ain’t aboot to let that bother them.
Like the band’s debut, Harbinger is a relentless onslaught that rarely sees drawn-out introductions throughout its tight thirty-six-minute runtime. The only moments of calm are delivered in the same way as before: using weird-ass instrumentals that only Tangerine Orange would enjoy. Though completely pointless, it appears to be their jam. Outside of that, each song is tight and effective, not a one of them exceeding five minutes in length. You’ll find everything from blistering-fast speed licks, chonky thrash charges, and mid-paced stompers. Mix in some rough vocals, chaotic gang shouts, and rough production, and you might as well be listening to it on cassette in your dad’s beat-up pickup. But will the outcome be the same, better, or worse than its predecessor?
Unlike False Idols, no spacey instrumental coaxes us into the record. “Doomsday Device” rips your scrotum on the first note and doesn’t let go until the gangrene settles in. This short, Slayerish ditty even sports a classic Araya scream that forms goosebumps on my pecker. Like any good trash track, it breaks down in the middle, restarting the frenzy, charging faster and faster as the gang shouts tear around you. The follow-up track, “Lightning Sacrifice,” keeps the momentum going, delivering a killer groove and addictive chorus that sticks hard. While there’s some variation in the songwriting throughout, the one track that stands out for being straightforward and restrained is “Frozen File.” With its intricate guitar work and pleasing chorus, it uses its strength in quality construction instead of dropping breakdowns and screaming guitar solos.
Other songs worth exploring are the back-half beauties, “The Chariot,” “Azazel,” and “Seven Seals of Koresh.” The first is a short piece featuring some of the album’s more vicious guitar and vocal performances. It uses a speedy lick to build up to the gangy chorus before ending with a slick, headbangable conclusion. “Azazel” is a flailing storm of guitars with a pavement-splitting chorus. Though it includes a ridiculously stupid spoken-word passage, this piece is one of the heavier tracks on Harbinger. “Seven Seals of Koresh” backs off a bit, opening with a mid-paced thrash lick. But then, all hell breaks loose, charging toward the chorus like Steel coming after me for drinking all his bourbon. As the intensity increases, the band picks up the pace, charging faster and harder than ever before.
Outside of the useless instrumentals, the two songs that have the biggest issues are “End of Days” and the title track. The first is that it’s so short, it doesn’t seem to know where to go. The only thing going for it is its slithering Slayer vibes. The title track is frustrating because the chorus is dreadful. It has some nifty riff changes that help, but when the chorus comes back around, I want to skip it. And, the fact that the instrumental “Vision II” closes the album instead of “Seven Seals of Koresh” is a mistake. There’s also an issue with the mix. False Idols was just dynamic enough that the bass had some presence. With Harbinger, the bass is buried far too much for my taste. These issues put this new release a notch lower than its predecessor, but Harbinger is hella fun and will keep your attention if you liked the band’s debut.
Rating: 3.0/5.0
DR: Stream | Format Reviewed: Stream Deez Nutz
Label: CDN Records
Websites: electrocutionerthrash.bandcamp.com | facebook.com/electrocutioner
Releases Worldwide: September 5th, 2025
#2025 #30 #AmericanMetal #CDNRecords #Electrocutioner #Harbinger #Review #Reviews #Sep25 #Slayer #TangerineDream #Testament #ThrashMetal #Whiplash
Very very very big cached US Kindle giveaway on bsky: 10 copies each of AJ Calvin's Caein Legacy books: Exile, Guardian, Harbinger, and Legacy, over at https://bsky.app/profile/kithrup.bsky.social/post/3lqnkz5ykhs26
#KindleBookGiveaway #AJCalvin #Exile #Guardian #Harbinger #Legacy #CaeinLegacy
So I can't figure out if I'm a Harbinger, a Preference Minority or a Lead User. I do have tastes that are unconventional.
If I like a TV series it will probably be cancelled in the first season.
#Marketing #MarketingFailures #Harbinger #Influencers #AntiInfluencers
thehustle.co/the-customer...
The customers who repeatedly b...
So I can't figure out if I'm a Harbinger, a Preference Minority or a Lead User. I definitely have tastes that sometimes aren't in the main stream.
If I like a TV series it is even money it will be cancelled before the end of the first season. But, maybe that is just the nature of TV these days.
#Marketing #MarketingFailures #Harbinger #Influencers #AntiInfluencers
https://thehustle.co/the-customers-who-repeatedly-buy-doomed-products
First dandelion
Yellow push through the firm earth
Yardwork harbinger
#Haiku #OneHaikuADay #WritersCollective #writingcommunity #BackToHaiku #Sun #Sunrise #Sol #Spring #April #Dandelion #Flower #Weed #Harbinger #Earth #Yellow #Yardwork #Gardening #Garden
April 13, 2025
The loss of #insects — “the little things that run the world,” as naturalist E.O. Wilson once put it — has dire implications for #ecosystems in which #birds & #mammals rely on them for #food & #plants depend on them for pollination. #Farmers & gardeners, meanwhile, may be losing allies that act as #pollinators & natural pest control.
#ClimateCrisis #ClimateChange #Climate #pollution #agriculture #farming #crops #harbinger
The crisis for #butterflies is part of a troubling downturn in the number of #bumblebees, #fireflies & other #insects that has been observed in Europe, the Caribbean & other places worldwide. It could signal a potential “#bugpocalypse” that scientists are fiercely debating — a shift that may spell trouble for both #nature & #society.
#ClimateCrisis #ClimateChange #Climate #pollution #agriculture #farming #crops #harbinger
Neil Young, Willie Nelson & Crazy Horse:
"All Along The Watchtower."
(Live at Farm Aid, 1994)