Lmst

Marta Sánchez #AquaticEcologist. Researcher at @ebdonana
@CSIC

#GlobalChange #InvasiveSpecies #Waterbirds #ArtAndScience #Plastic
Blog del #CSIC

☀️ Recordamos que as inscrições para a edição 2025 da Escola de Verão da NOVA FCSH fecham a 23 de Junho. Estas são as propostas do IHC:

🍁 Botânica e Arte, com Luís Mendonça de Carvalho
💎 A Global History of Diamond Mining, com Tijl Vanneste

+info: https://ihc.fcsh.unl.pt/agenda/

#Histodons #ArtAndScience #Botany #Arts #Diamonds #DiamondMines #Mining #MiningHistory #SummerSchool #OnlineCourses #Botânica #Arte #ArteECiência #Diamantes #MinasDeDiamantes #HistóriaDaMineração #CursosOnline #EscolaDeVerão

Cartaz dos cursos IHC integrados na Escola de Verão da Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa, Nova FCSH. Curso 1: 10 a 25 de Julho, “Botânica e Arte”, com Luís Mendonça de Carvalho. Curso 2: 4 a 12 de Agosto, “A Global History of Diamond Mining”, com Tijl Vanneste. Mais informações em tiny.cc/ac3m001

Before tanks rolled into WW1, da Vinci drew one on paper.
Before we had satellite maps, he mapped entire cities by foot.
He even tried to build a perpetual motion machine!

⚡ Leonardo wasn’t just an artist—he was the original tech visionary.
👉 Discover 7 of his insane, REAL inventions that modern science still respects:
🔗 https://www.utubepublisher.in/2025/06/leonardo-da-vinci-facts-inventions-drawings.html
#LeonardoDaVinci #Inventions #History #FOSS #ArtAndScience

Leonardo da Vinci: A Genius Inventor Who Shaped The Future

☀️ Abriram as inscrições para a edição 2025 da Escola de Verão da NOVA FCSH. Deixamos-vos duas propostas calorosas:

🍁 Botânica e Arte, com Luís Mendonça de Carvalho
💎 A Global History of Diamond Mining, com Tijl Vanneste

+info: https://ihc.fcsh.unl.pt/agenda/

#Histodons #ArtAndScience #Botany #Arts #Diamonds #DiamondMines #Mining #MiningHistory #SummerSchool #OnlineCourses #Botânica #Arte #PatrimónioNatural #ArteECiência #Diamantes #MinasDeDiamantes #HistóriaDaMineração #CursosOnline #EscolaDeVerão

#CallforApplications

Artist in Residence at the Käte Hamburger Research Centre “Dis:connectivity in processes of globalisation” (global dis:connect) at LMU Munich in 2026/2027

Deadline: 27 July 2025

👉 Further information: https://www.performing-arts.eu/de/news/newsstream/call-for-applications-air-at-the-kate-hamburger-research-centre-global-disconnect/

#opencall #artistresidency #artistinresidence #artandscience #lmumunich

Plantaardige zeefdruk van rode kool 🌱🌿

In opdracht van gr8 agency ben ik voor Regio West-Brabant aan de slag gegaan met een 100% plantaardige zeefdruk. Ik heb zelf roze inkt weten te maken van lokale rode kool en met een chemische reactie tussen de kleurstof en baking soda maakte ik een gradient. Het papier is gemaakt met tomatenplant. Het was een uitdaging om mijn werk volledig duurzaam te maken met veel obstakels gaandeweg maar met een uniek eindproduct.

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#bioart #art #sciart #biology #contemporaryart #science #nature #scienceart #biodesign #artwork #artist #artandscience #research #microscopy #design #biomaterials #microscope #cellbiology #microbiology #biotechnology #microscopyart #drawing #digitalart #cells #science #artscience #biotech #cell #confocal

#callforapplications

"Beyond Now" – Vorschläge für das "Art & Science Programm" der Berlin Science Week gesucht
07.-09.11.2025

Deadline: 15.06.2025

👉 Weitere Informationen: https://www.performing-arts.eu/de/news/newsstream/call-for-applications-programmvorschlage-fur-berlin-science-week-gesucht/

#berlinscienceweek #artandscience #kunstundwissenschaft #opencall

While revisiting my sketchbook from April, I noticed a recurring theme: many of the drawings subtly echoed the intricate structures of human brain neurons. It’s a reminder of how naturally art and science converge—particularly in the shared language of neuroscience and visual expression.

https://www.thatelusiveimage.com/blog/where-art-meets-the-mind/

#mastoart #art #artist #sketchbook #inkonpaper #sketchdaily #illustrationart #creativeprocess #artandscience #neuroscience

pen and ink drawing resembling human neurons

Really happy that How to Touch a Dragonfly has been put on the Longlist for Aesthetica #ArtPrize. The artwork highlights #dragonfly #biodiversity and #habitatloss and fosters #empathy for #insects. I really value the recognition of an environmentally motivated artwork by this important prize. #art #artandscience #prizes

Catch my #thermographic #VideoTriptych "Feeling the Heat" in the centre of #Linz, Austria at #Klimasoziale Stadt till 30 April '25

www.klimasoziale.at
#ClimateScientists #ClimateChange
#ThermalImaging #VideoArt #ClimateScientist #ClimateScience #ScienceArt #ArtandScience #GlobalWarming

MEET OUR ARTISTS

Today: Lily Simonson

Be welcome to visit http://lilysimonson.com/ to see more of Lisa’s work.
Please leave a like and comment!
Sharing our artists work is always appreciated ❤️

For more about @dsbsoc , please follow our main account and visit https://dsbsoc.org/

#artandscience #sciart #sciartist #marinebiology #deepsea #deepseartist #contemporaryart #contemporaryartist #contemporarypainter #oiloncanvas #dsbsoc #bridgingartandscience #triptych

Lisa’s statement about the triptych “For Lisa Levin”:

“Enveloping the viewer in atmospheric, outsize scenes of bizarre sea creatures and remote habitats, my paintings highlight the shifting space between human beings and the natural world. Collaborating with scientists in Antarctica and the deep sea, I invoke the history of artists and scientists working in tandem to share new discoveries. Dr. Lisa Levin was the first deep sea scientist I ever accompanied on an expedition and has shaped my entire trajectory as an artist. I painted this series on the occasion of her retirement. The first painting of Fabricia limnicola represents Dr. Levin’s early PhD work, Archinome levinae her namesake scaleworm and represents the incredible influence she has had on the deep sea community, and the octopus larvae is based on the research of Levin’s final PhD student, Dr. Lilly McCormack who commissioned the work.”

A series of three paintings on dark turquoise backgrounds. The first painting shows a translucent worm with thread-like protrusions from the end of its body.

The third painting depicts a translucent larval octopus

The middle painting depicts a fat marine bristle worm with iridescent scales covering its body and clusters of bristles at on either side of each segment.

Discover the most unique collection of electronic music instruments: the SMEM. Huge living archive located here on the same site as EPFL Fribourg. Retro synthesizers, pre-digital organs, iconic keyboards, the machines of 20th century sound. Some items currently on display at @EPFLPavilions
We're organizing a visit for the EPFL community on 22 May 2025 (registration required). If you haven't received the announcement by e-mail, get in touch!

https://www.smemmusic.ch/
#EPFLculture #ArtAndScience

I’m happy to share that I will be part of S+T+ARTS Hungry EcoCities’ 2nd Open Call, working with Protiberia to develop Quiet Storm: Music for Insects, raising awareness on the future of food through art-science experimentation!
Next week I will visit Protiberia in Villamalea, Spain and also meet the Studio Other Spaces team
You can read more here: starts.eu/hungryecocities
@in4art , @vutvbrne
#startseu #hungryecocities
#artandscience #foodsystem #arttech #sonification #soundart

A picture of a mealworm on an open venus flytrap. Its front is lifted up a bit as if it is looking to its impending doom.

MEET OUR ARTISTS

Véronique Robigou

www.oceanetterrastudio.com

For more information about DSBSoc, follow our main account
@dsbsoc or visit our website dsbsoc.org

#artandscience #sciart #sciartist #deepsea #deepseartist #contemporaryartist #contemporarypainter #bridgingartandscience

Presenting another DSBSoc-artist, named Véronique Robigou with her painting called "Deep Sea Oasis"

Véronique wrote about this artpiece:

"Deep Sea Oasis

As a marine geologist, I mapped unexplored territories of seafloor and underwater volcanoes with deep submergence vehicle including DSV Alvin. And decades later, vivid, retinal vestiges of ocean landscapes that I explored still inspire my artwork. Deep Sea Oasis is my impression of a fairy castle, hot spring that rises from the inky black, basaltic ocean floor. On a dive with chief scientist J. R. Delaney, and Alvin pilot D. Foster we discovered the High-Rise hydrothermal vent field on July 17, 1991. It lies on the northern segment of the Juan de Fuca Ridge which is a spreading center off the coasts of Oregon, Washington, and British Columbia. The Pacific and North American tectonic plates are born at and spread away from this volcanic ridge. Subsequent mapping in September 1991 unveiled spectacular, geyser-like towers gushing unusually large, rising plumes of metal-laden, hot water. These sulfide-rich, mineral edifices are called hydrothermal vents and spew fluids at temperatures up to 400°C [752 °F] through chimneys and upside-down cascading flanges."

More about "Deep Sea Oasis" in the next ALT-text

"The tallest hydrothermal vent towered 45 meters above the pillow lava at 2200 meters depth. Named Godzilla by Alvin pilots for its massive stature, the threat of this large colossus combined to unpredictable currents at depth inspires not only reverence but caution. As the submersible illuminating the darkness negotiates a safe path through a forest of these sulfide giants and their monstrous shadows my heart is pounding inside my chest. However, the beauty, mystery, and peace of the Prussian blue scenery soon enchants the diver. Soon the looming menace of the gargantuan vents disappears and the vibrant colors of the luxuriant animal communities that engulf the sulfide bluffs ignite curiosity and awe. Just as an oasis offers comfort to the weary caravan traversing the desert, hydrothermal vents provide shelter and nutrients to species that favor geothermal energy over sunlight. These endemic vent species thrive on toxic volcanic gases in the complete obscurity of great depths. Deep sea oases are densely colonized by thick layers of extraordinary creatures - blood-red plumes of gills emerge from white tubes adorn vestimentiferan worms; bright orange palm worms sway in unison bathing in hydrothermal fluid; hyperactive sulfide worms spring out of their mucus and harvest the hottest fluids; and myriads of scale worms, lepitodrilus fucensis limpets and buccinum snails graze bacteria that cloak all surfaces of the vents and their inhabitants."

Thanks for reading!

In case you might be interested in a structured year of online learning of historically accurate, science informed natural dye methods, my Natural Dye Beginners Club - which launches on April 1 - is now open for registration. Students are first grounded in foundational skills, from which we then explore a wide range of applications from surface design methods to natural inks. Full Course Details: www.mamiesschoolhouse.com/beginners-club

#naturaldye #appliedchemistry #artandscience

The image includes pictures of each month's natural dye lesson.

Science in the movies: How scientists help to keep the science straight on the “big screen” (and presumably in online streaming presentations, too). And the Oscar for most realistic science in a sci-fi movie goes to...No One https://www.the-scientist.com/the-guardians-of-science-in-sci-fi-movies-72713
! #scienceandart #artandscience #moviescience #sciencefiction

#Architecture #SantiagoCalatrava #TravelPhotography #Valencia #ArtAndScience #BuildingDesign #ScienceMuseum #Cityscape #Reflections #NightPhotography #SpainTravel #CulturalLandmark #Futuristic #Hemisferic #ModernDesign

The image shows the L'Hemisfèric, a striking architectural structure located in the City of Arts and Sciences in Valencia, Spain. It is designed to resemble a giant eye and is surrounded by a pool of water, which enhances its appearance. The building houses an IMAX cinema, planetarium, and laserium. The lights are on, creating a dramatic effect against the cloudy sky.

The image shows the City of Arts and Sciences in Valencia, Spain. This architectural complex includes futuristic structures featuring curved lines and expansive glass and metal surfaces. The buildings are illuminated, and there is a large pool of water in the foreground. It's a well-known cultural and architectural landmark in the city.

This image shows the City of Arts and Sciences in Valencia, Spain. It features modern architectural structures, including the Assut de l'Or Bridge with its striking design, the Ágora building, and the L'Umbracle. There is a reflective pool of water in the foreground and a walkway with people on the right.

The image depicts a modern architectural complex with a large, reflective pool or body of water. It features sleek, futuristic buildings and structures, including arches and bridges. The sky is overcast with dark clouds, adding a dramatic atmosphere to the scene. This appears to be part of the City of Arts and Sciences in Valencia, Spain, known for its unique contemporary architecture.

MEET OUR ARTISTS

Today:

Sylvie Salmon

https://www.ssd.bzh/

There is more about the artist in the ALT-text 💙

Follow our main account
@dsbsoc

#artandscience #sciart #sciartist #marinebiology #deepsea #deepseartist #contemporaryart #contemporaryartist #contemporarypainter #bridgingartandscience

Artist statement:

“I am a graphic painter, graduate of Applied Arts in industry. Duperré School, in advertising design and graphic art.

At the exit of Arts Appliques. in 1973. I joined Aéroports de Paris and participated in the preparation of the launch of the new Roissy CDG airport in 1974. From 1981 to 2010, I assumed union responsibilities in transport, then in 1996 I returned to Aéroports de Paris and successively became in charge of commercial relations with Air France then Director of the Orly West Terminal.

From my multidisciplinary training in Applied Arts. I maintain an interest in all forms of creation. I continue to draw and paint as often as possible with the plan of being a painter later.

Since 2011, I have lived and worked in my workshop in Rennes. Later became now!"

PARTII of the statement in the next ALT

PartII Artist statement:

"I work mainly on the theme of memory: the organization of human memory, books and their rhythm in libraries. ancient writings. architecture. major projects and beyond. the perpetual formation of Earth and Space.

My favorite media often had a first life. I reuse large cardboard packaging boxes and already used papers. for example pleater rolls. poster walls.

I like to work on wrecked supports, if they are not wrecked from the start, I “wreck”” them up myself, notably by pleating in such a way as to make the graphic gesture more or less random.

I then carry out work of construction, deconstruction/reconstruction of the work by a process that I call tearing/pasting. I sometimes introduce covers. for example using red threads and hidden texts.

Moreover. I practice sketching with a felt-tip pen on the spot and as often as possible.”

Zatímco se mi v hlavě rodí nový příběh, který jsem pracovně nazvala Rozhovory se šutrem, pod rukama mi spontánně vzniká obrázek. Možná s tím příběhem souvisí, možná ne. Prostě se objevil – jen tak, bez plánování, během včerejší noci. Teď už zbývá zachytit slova, která mi během malování prolétla hlavou, a přenést je na papír.

https://www.miainlines.cz/2025/02/zaujata-fraktaly-otisk-singularity.html

#digitalart #digitalpicture #fractalart #geometry #bigbang #cosmos #artandscience #abstractart #visualphilosophy #digitalpainting

Video presentation @ Hacte Barcelona

At min 51.45 you can find my intervention at the international conference of S+T+ARTS project at Hacte Barcelona. Have a look if you are interested in Art & Science research! 🌱 #artandscience #barcelona #hacte #sciart #contemporaryart Also other panelists are great, and in the channel of Hacte you can find the whole conference, all for free 🙂 Link:

http://antonioirre.com/2025/02/11/video-presentation-hacte-barcelona/

#ArtAndScience

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